7/24/2017 0 Comments Marilyn Monroe DownloadMarilyn Monroe DownloadsWould Marilyn Monroe's career (and life) have been different if she had acted on stage? It was something she never forgot. In all that has been written about her, surprisingly little has been devoted to Monroe's acting prowess or her attraction to the stage. But, as with all sliding doors scenarios, it is tempting to consider what might have been if Miller's suggestion had become reality. Monroe's career began in the era of Broadway's Golden Age. In 1. 94. 9, Carol Channing became an instant star when she played Lorelei on stage in Gentleman Prefer Blondes. A Streetcar Named Desire by Tennessee Williams, meanwhile, made stars out of Marlon Brando, Jessica Tandy and director Elia Kazan. Miller became a household name when Death of a Salesman — directed by Kazan — was performed over 7. New York. Many of Monroe's films were adaptations of stage plays: besides Gentleman Prefer Blondes, there was Bus Stop, The Prince and I, the Seven Year Itch, Clash by Night and How to Marry a Millionaire.
Marilyn Monroe (born Norma Jeane Mortenson; June 1, 1926 – August 5, 1962) was an American actress and model. Famous for playing comic "dumb blonde" characters, she. Surprisingly little has been written about Marilyn Monroe's attraction to the stage, but it is tempting to consider what might have been if she made the switch to. Free Marilyn Monroe DownloadsAfter Miller's suggestion, Monroe began to research how best to hone her craft. The place she eventually went to, encouraged by Kazan, was the Actors Studio New York. As billboards advertising the Seven Year Itch were plastered to buildings nearby, Monroe sat at the back of the class, where she listened and learned. Lee Strasberg, who became a pivotal influence in Monroe's life, was convinced she had the qualities to become a serious stage actor. Delivering a eulogy, after she died in 1. Usually, it is the other way around. Fellow students at the studio were often surprised at her talent. Actor Ellen Burstyn was present when Monroe performed a scene from the play Anna Christie by Eugene O'Neill. She later said. She achieved real greatness in that scene. Later, Monroe would perform scenes from Breakfast at Tiffany's at the Actors Studio that so impressed Truman Capote he lobbied hard for her to play the role of Holly Golightly in the film version. To his fury, Audrey Hepburn got the part. Joshua Logan, who directed both the film and stage version of Bus Stop, suspected Monroe was inherently a stage actress, no matter how much she loved the camera. But could Marilyn Monroe, with all her associated troubles, have successfully transitioned to the stage? Certainly she was being trained for it. The Strasbergs' employed Affective Memory Technique — using past experience to make a character's action more real. Students were required to find a parallel event that conveyed similar emotions to the ones the scene was asking for. In Monroe's case, psychoanalysis was recommended to help her tap into and deal with difficult childhood memories. This drawn out Method approach is more conducive to a theatre production (which it was originally designed for) than a busy film set. The intimacy of the method, the focus on self, appealed to Monroe and she threw herself into it. Monroe would persist with the Method approach throughout her acting career, despite the disapproval of many of her co- stars. At her insistence, Method acting coach Paula Strasberg accompanied her to film sets to help with preparation before scenes. This habit infuriated film directors and caused much controversy. However, in the theatre world, it is likely that others would have respected Paula both for her training and the Strasberg name. Monroe had exceedingly high expectations placed upon her in most of her films — she was the acknowledged star and the success or failure often fell on her shoulders. Whole production companies banked on her name. This pressure would test any actor, no matter how experienced. Much is made of Monroe's drug addiction and famous lack of punctuality (few consider the similar behaviour of her co- stars and directors). But with the smaller budgets and longer rehearsal time of the theatre productions, she may have been less prone to the crippling anxiety attacks she increasingly suffered from. Other stars of the era who managed the transition from . Elizabeth Taylor, Jayne Mansfield and Jane Russell, Monroe's co- star in Gentleman Prefer Blondes, all grew tired of films that focused mainly on their figures and made the switch to stage. Monroe never did perform in a formal theatre production. She died on August 5, 1. Nembutal sleeping pills was by her bed), although the cause is still disputed. But if Monroe had acted in the theatre, how different her life might have been. Certainly, Joyce Carol Oates believes that the stage could have been a kind of salvation for the troubled star. She wrote in 2. 01.
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